Installation view, Julian Charrière: Midnight Zone, Museum Tinguely, Basel, Switzerland, 2025 / © The Artist / VG Bild-Kunst, Bonn, 2025 / Photo by Jens Ziehe
Installation view, Julian Charrière: Midnight Zone, Museum Tinguely, Basel, Switzerland, 2025 / © The Artist / VG Bild-Kunst, Bonn, 2025 / Photo by Jens Ziehe
Installation view, Julian Charrière: Midnight Zone, Museum Tinguely, Basel, Switzerland, 2025 / © The Artist / VG Bild-Kunst, Bonn, 2025 / Photo by Jens Ziehe
Installation view, Julian Charrière: Midnight Zone, Museum Tinguely, Basel, Switzerland, 2025 / © The Artist / VG Bild-Kunst, Bonn, 2025 / Photo by Jens Ziehe
Installation view, Julian Charrière: Midnight Zone, Museum Tinguely, Basel, Switzerland, 2025 / © The Artist / VG Bild-Kunst, Bonn, 2025 / Photo by Jens Ziehe
Installation view, Julian Charrière: Midnight Zone, Museum Tinguely, Basel, Switzerland, 2025 / © The Artist / VG Bild-Kunst, Bonn, 2025 / Photo by Jens Ziehe
Installation view, Julian Charrière: Midnight Zone, Museum Tinguely, Basel, Switzerland, 2025 / © The Artist / VG Bild-Kunst, Bonn, 2025 / Photo by Jens Ziehe
Julian Charrière, Calls for Action, 2024, Installation View, Fondation Beyeler and Globus Public Art Project, Basel, Switzerland, 2024, Photo, Mark Niedermann
Julian Charrière, Sun Sets in Stone | Macrostachya, 2024, Piezography on Hahnemuhle Photo Rag, 70 x 58 cm, Edition 3/5 + 2 AP
Julian Charrière, Sun Sets in Stone | Neuropteris, 2024, Piezography on Hahnemuhle Photo Rag, 70 x 58 cm, Edition 3/5 + 2 AP
Julian Charrière, Controlled Burn | Oil Platform, 2023, Archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminium Dibond, framed (aluminium), ArtGlass anti-reflective glass, 80 x 110 cm, Edition 4/5 + 2 AP
Julian Charrière, Buried Sunshines Burn | 498.S95, 2023, Heliography on high-polished stainless steel plate, stainless steel frame, museum glass, (ArtGlass 70), 100 x 80 cm , Unique
Julian Charrière, Controlled Burn | Cooling Tower B.8, 2023, Archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminium Dibond,
gerahmt (aluminium), ArtGlass anti-refective glass, 220 x 150 cm, 1/5 + 2AP
Julian Charriere, Controlled Burn | Cooling Tower K.9, 2023, Archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminium Dibond, framed (aluminium), ArtGlass anti-refective glass, 150 x 220 cm, 1/5 + 2AP
Julian Charriere, Controlled Burn | Open-Pit Mine G.4, 2023, Archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminium Dibond, framed (aluminium), ArtGlass anti-reflective glass, 222.8 x 152.8 x 4 cm (framed), Edition of 5 + 2AP
Mining the Sky, 2022, And Beneath It All Flows Liquid Fire, 2019, Pure Waste, 2021, Installation view, Controlled Burn, Langen Foundation, Neuss, Germany, 2022
Panchronic Garden, 2022, Installation view, Controlled Burn, Langen Foundation, Neuss, Germany, 2022
Metamorphism, 2016, Thickens, pools, flows, rushes, slows, 2020, Controlled Burn, 2022, Installation view, Controlled Burn, Langen Foundation, Neuss, Germany, 2022
Pitch Drop, 2016, And Beneath It All Flows Liquid Fire, 2019, Installation view, Controlled Burn, Langen Foundation, Neuss, Germany, 2022
Julian Charrière: Erratic, The San Francisco Museum of Modern Art, San Francisco, CA, USA, 2022
Not All Who Wander Are Lost, Uncombed, Unforeseen, Unconstrained - Parasol unit foundation for contemporary art,
Collateral Event of the 59th International Art Exhibition La Biennale di Venezia 2022
Not All Who Wander Are Lost, Uncombed, Unforeseen, Unconstrained - Parasol unit foundation for contemporary art,
Collateral Event of the 59th International Art Exhibition La Biennale di Venezia 2022
Not All Who Wander Are Lost, Uncombed, Unforeseen, Unconstrained - Parasol unit foundation for contemporary art,
Collateral Event of the 59th International Art Exhibition La Biennale di Venezia 2022
And Beneath Flows Liquid Fire ,Uncombed, Unforeseen, Unconstrained - Parasol unit foundation for contemporary art,
Collateral Event of the 59th International Art Exhibition La Biennale di Venezia 2022
Weight of Shadows, Centre Pompidou, Paris, France, 2021
Weight of Shadows, Centre Pompidou, Paris, France, 2021
Weight of Shadows, Centre Pompidou, Paris, France, 2021
Weight of Shadows, Centre Pompidou, Paris, France, 2021
Weight of Shadows, Centre Pompidou, Paris, France, 2021
Weight of Shadows, Centre Pompidou, Paris, France, 2021
Vertigo, 2021
Onyx, motor, lamp, soundtrack, Unique, 170 x 140 x 85 cm
Vertigo, 2021
Onyx, motor, lamp, soundtrack, Unique, 170 x 140 x 85 cm
Thickens, pools, fows, rushes, slows, 2021
Obsidian block, Unique
103.7 x 126 x 129.7 cm
Soothsayer, 2021 Anthracite coal, stainless steel, Unique, 240 x 130 x 130 cm
Towards No Earthly Pole - Totten, 2019, archival pigment print on Hahnemühle FineArt Pearl, mounted on aluminium dibond, framed (alder), Mirogard anti-reflective glass, framed, 80 x 100 cm, 4/5 + 1AP
Towards No Earthly Pole - Vincennes, 2019, archival pigment print on Hahnemühle FineArt Pearl, mounted on aluminium dibond, framed (alder), Mirogard anti-reflective glass, framed, 100 x 80 cm, 4/5 + 1AP
Towards No Earthly Pole - Whillans, 2019, archival pigment print on Hahnemühle FineArt Pearl, mounted on aluminium dibond, framed (alder), Mirogard anti-reflective glass, framed, 160 x 260 cm, 4/5 + 1AP
Not All Who Wander Are Lost, 2019, Glacial erratic rock, drill cores, aluminium, brass, copper, gold, silver, 100 x 420 x 80cm
Not All Who Wander Are Lost, Towards No Earthly Pole, 2019, Installation view, Towards No Earthly Pole, MASI Lugano, Lugano, Switzerland, Photo by Jens Ziehe
We Are All Astronauts, 2013-2021, Installation view The Armory Show, Platform, New York, 2021
We Are All Astronauts, 2013-2021, Installation view The Armory Show, Platform, New York, 2021
Towards No Earthly Pole, 2020, Aargauer Kunsthaus, Aarau, Switzerland
Towards No Earthly Pole, 2020, Aargauer Kunsthaus, Aarau, Switzerland
Towards No Earthly Pole, 2020, Aargauer Kunsthaus, Aarau, Switzerland
Calypso, 2019, chinese made LC4 chair replica with neoprene sleeve cover, diving cylinder, nitrox 96, chromed full face, diving mask, 80 x 62 x 160 cm, 5 + 1AP
All We Ever Wanted Was Everything and Everywhere, 2019, exhibition view, MAMbo, Sala delle Ciminiere
All We Ever Wanted Was Everything and Everywhere, 2019, exhibition view, MAMbo, Sala delle Ciminiere
Where Waters Meet [3.23 atmospheres], 2019, archival pigment print on Hahnemühle photo rag ultra smooth on alu dibond, mirogard anti-reflective glass, framed, 58 x 45.3 cm, 3 + 2AP
Where Waters Meet [3.72 atmospheres], 2019, archival pigment print on Hahnemühle photo rag ultra smooth on alu dibond, mirogard anti-reflective glass, framed, 58 x 45.3 cm, 3 + 2AP
Where Waters Meet (3.78 atmospheres), 2019, archival pigment print on Hahnemühle photo rag ultra smooth on alu dibond, mirogard anti-reflective glass, framed, 58 x 45.3 cm, 3 + 2AP
Towards No Earthly Pole, Dallas Musuem of Art, Texas, USA, 2021
Tropisme, 2016, Frozen pre-historic plant, refrigerated showcase, 207 x 65 x 65cm
Julian Charrière, Empire, 2019, Dog sledge, 14 coconuts in lead sarcophagi, 91 x 81 x 237 cm / 35 3/4 x 32 x 93 1/3 in, Unique
An Invitation to Disappear - Tawan
2018, Archival Pigment Print on Hahnemühle Photo Rag Ultra Smooth, mounted on aluminium dibond, framed (walnut), Mirogard anti-reflective glass, 150 x 187.5 cm, Ed. of 3 + 1AP
An Invitation to Disappear - Bengkayang, 2018, Archival Pigment Print on Hahnemühle Photo Rag Ultra Smooth, mounted on aluminium dibond, framed
(walnut), Mirogard anti-reflective glass, 150 x 187.5 cm, Ed. of 3 + 1AP
Julian Charrière, Disappear – Sandakan, 2018, archival pigment print on Hahnemühle photo rag ultra smooth, mounted on alu dibond, framed (walnut), mirogard anti-reflective glass, 150 x 187.5 cm, 3 + 1AP
An Invitation to Disappear, 2018, single-channel video installation, 4k color film, ambisonics 3D-soundscape, 5 + 2AP
New-to-Nature, Julian Charrière, Andreas Greiner, and Julius von Bismarck
Photos, Stephen White & Co.
detail / Love-In Agung, 2018, Borosilicate glass, stainless-steel, lamp, palm oil, isopropanol, distilled water, 280 x 51.5 x 51.5 cm , Unique
To Observe Is To Influence, 2018, Carbonized teak plank with laser engraving, 250 x 38.5 x 4 cm, Unique
Future Fossil Spaces, 2017, Salt from the Salar de Uyuni, acrylic containers filled with lithium-brine, Dimensions variable, Installation view, La Biennale di Venezia, Arsenale, 57th International Art Exhibition Viva Arte Viva (curated by Christine Macel), Venezia, Italy, Photo: Jens Ziehe
Julian Charrière, medium format black and white photograph, double exposure threw thermonuclear strata, on photo rag baryta, semipalatinsk nuclear weapons test site in Kazakhstan, 182.8 x 152.8 cm
The Blue Fossil Entropic Stories (3), 2013, Fine Art Print on Hahnemühle Photo Paper, 100 x 150cm