Opening 10 September, 18 – 21h

Exhibition 10 September – 22 October, 2011

DITTRICH & SCHLECHTRIEM is pleased announce its inaugural exhibition, HORIZONS, the first solo-exhibition of works by Julian Charrière.

Born in Morges, Switzerland, Charrière was raised in the countryside, his early interest in Land Art, in Minimalism, and the experience of architectural model building at the École Polytechnique Federal de Lausanne driving his focus toward the interaction between nature and civilization. Inserting man-made structures into the wilderness, often using natural materials and elements, Charrière began to experiment with with the anatopism of civilization in nature, and moving to Berlin in 2007, continued to experiment with this concept, and its reverse – the anatopism of nature in cities. And in 2010, a trip to Iceland provided a final element that would result in the body of works that composes HORIZONS.

Finding himself in a boundless Icelandic landscape devoid of any indication of scale – no trees, no people – Charrière realized that this naturally occurring illusion was just that – an illusion. He understood illusions to be a fundamental part of the human experience with nature, and that, just as cities are full of illusion, so are they full of nature.  Charrière understood the variable to be perception of scale – a molehill, to an ant, is a mountain.  He understood that landscape’s very existence demands this altering of perception; depending wholly on the vantage point, it is invisible until you choose to see it – as climbing a mountain renders the valley visible, as leaving a city allows the skyline to be seen.

Expanding on the idea that altering specific elements – such as scale or perspective – allows the invisible to be seen, Charrière began incorporating bacteria into his work.  Bacteria, invisible to the naked eye, are everywhere – they are fundamental to nature, the smallest pieces of any landscape. Charrière imagined a bacterial landscape veiling the terrain – an invisible world cloaking our visible world. And through the use of bacteria, Charrière’s landscape, ever-changing as in nature, succeeds in altering another variable: the rate of time’s natural progression, rendering its passing visible.

Charrière has described HORIZONS as an oasis for urbanites who yearn for a glimpse of nature. It may be suggested, however, that he is exposing the oasis that already surrounds us. It is the revelation of the obscured, a reversal of the illusion: Charrière erases the visible, leaving only the invisible to be seen. In Charrière’s works we see time progressing, we see the mountain ranges on our doorstep, we see the forests covering our cities.

Born in 1987, Charrière currently lives and works in Berlin. A student of Olafur Eliasson at the Institute fur Raumexperimente and member of artist group Das Numen,  Charrière has exhibited his works – both solo and as part of Das Numen – at various galleries and institutions around Europe, including the Reykjavik Art Museum and Berlin’s Haus der Kulturen der Welt.

Coinciding with HORIZONS, Charrière currently has a collaborative exhibition, DOMINIONS, on view at Program e.V. (Invaliden Strasse 115, Berlin) through October 14.